The late 1990s and early 2000s were marked by the
appearance of a number of ambitious historical novels by Irish writers,
including Joseph O’Connor’s Star of the
Sea (2004), which enjoyed both critical and commercial success internationally
as well as in Ireland. The turn towards historical fiction occurred as Ireland
experienced an unprecedented economic boom accompanied by rapid social change
during the period now notoriously referred to as the Celtic Tiger. The concern
with Ireland’s belated entry into modernity that was a hallmark of the Celtic
Tiger period is reflected in Star of the
Sea, in which, this essay argues, there is an attempt to construct a
national subject position fully compatible with modernity. To this end, for instance, the Irish language
is represented in the novel as a standardized, written language, so that the
voiceless victims of the famine, many of whom were Irish-speaking and
illiterate, can be reclaimed for twenty-first-century Ireland. O’Connor is however concerned as much with
authenticity as he is with modernity, and through the figure of Mary Duane the
novel thus ultimately reinstates the silence and wordlessness that is a
hallmark of the Famine in the Irish national imaginary.