Mandatory Fields

Authors

Stephen Roddy

Conference Title

Audio Mostly

Title of Paper

Composing The Good Ship Hibernia and the Hole in the Bottom of the World

Year

2017

Month

Unknown

Status

Published

Peer Reviewed

Times Cited

()

Optional Fields

Keywords

Sonification, Music, Music Composition, Data-driven music, multimodal data analytics

Editors

Start Page

End Page

Location

Start Date

End Date

Abstract

This paper explores topics in embodied cognition, soundscape composition and sonification. It explains the compositional decisions and technical considerations that went into the composition of the piece The Good Ship Hibernia, which is an example of embodied soundscape sonification. This explanation is undertaken within the context of an approach to both sonification design and music composition that accounts for and exploits the embodied aspects of meaning-making in auditory cognition as described in the embodied cognitive science literature.

Funded By

Science Foundation Ireland

URL

https://dl.acm.org/doi/10.1145/3123514.3123520

DOI Link

https://doi.org/10.1145/3123514.3123520

Grant Details

Funding Body

Science Foundation Ireland

Grant Details

This publication has emanated from research supported inpart by a research grant from Science Foundation Ireland(SFI) and is co-funded under the European RegionalDevelopment Fund under Grant Number 13/RC/2077. (PDF) Composing The Good Ship Hibernia and the Hole in the Bottom of the World.