Conference Publication Details
Mandatory Fields
Stephen Roddy
Audio Mostly
Composing The Good Ship Hibernia and the Hole in the Bottom of the World
2017
Unknown
Published
1
()
Optional Fields
Sonification, Music, Music Composition, Data-driven music, multimodal data analytics
This paper explores topics in embodied cognition, soundscape composition and sonification. It explains the compositional decisions and technical considerations that went into the composition of the piece The Good Ship Hibernia, which is an example of embodied soundscape sonification. This explanation is undertaken within the context of an approach to both sonification design and music composition that accounts for and exploits the embodied aspects of meaning-making in auditory cognition as described in the embodied cognitive science literature.
Science Foundation Ireland
https://dl.acm.org/doi/10.1145/3123514.3123520
https://doi.org/10.1145/3123514.3123520
Grant Details
Science Foundation Ireland
This publication has emanated from research supported inpart by a research grant from Science Foundation Ireland(SFI) and is co-funded under the European RegionalDevelopment Fund under Grant Number 13/RC/2077. (PDF) Composing The Good Ship Hibernia and the Hole in the Bottom of the World.