This paper draws on
current research, from the perspective of an "outsider ethnographer", into neo-pagan culture in Ireland. It deals
with the traditions of Wicca, Witchcraft and Druidry, using the methodology of
ethnographic interviewing and participant observation. Two aspects of neo-pagan culture are
examined in relation to sacred beliefs: (1) ritual practice at Sacred Sites and
(2) the depiction of the sacred in Visionary Art. Certain places on the landscape are attributed sacred status and
are thus set apart as locations for the practice of ritual. Reference is made to some of the well-known
sacred sites in Ireland, including the Hill of Tara and Newgrange and
prehistoric sites such as ringforts and stone circles. Consideration is given to issues such as
spiritual links to "ancestors" and ancient pagan religion and how it is
important, for many contemporary practitioners, to maintain spiritual links
with the ancestral peoples of this country. Certain sites hold special meaning
because of their associations with ancient Druids and pre-Christian
religion. The indigenous early religion
of Ireland is emphasised in Irish neo-pagan discourse. Examples are given of the rituals practiced
at these sites in celebration of the seasonal festivals and their significance
within the neo-pagan belief-system. The
deep spiritual connection with landscape and nature often gives rise to
creative expression and this paper draws on the work of neo-pagan artists and
craftspeople to illustrate the perception and expression of the sacred in neo-pagan worldview. The two strands of
analysis of sacred sites and artwork are interlinked in this analysis to
portray the essence of what is sacred in neo-pagan culture.